Karin Davie, Artist: CV

Bio CV Links Books & Catalogues Interview - Aldrich Museum Interview - Cultured

Karin Davie CV [click here for printable cv]

Biography

Born in Toronto, Canada 1965
Based in Seattle, WA and New York, NY

Education

Queen's University, Kingston, Ontario, Canada
BFA

Rhode Island School of Design, Providence, RI
MFA

Awards & Scholarships

2015		John Simon Guggenheim Foundation Fellowship Award
1999		Pollock-Krasner Award
1999		Rosenthal Family Foundation Award from the American Academy of Arts & Letters
1998		Elizabeth Foundation Grant
1995		Canada Council for the Arts Grant
1992		Canada Council for the Arts Grant
1991		Pollock-Krasner Award

Solo Exhibitions

2024		The Reality Principle, Karin Davie & Caitlin Teal Price. Two-person exhibition, Pazo Fine Art Gallery, Washington DC
2023		Karin Davie: "To Boldly Go Where No Man's Gone Before," Chart Gallery NYC and Van Doren Waxter, New York, NY. A two-venue exhibition. Exhibition catalog to be published May 2023.
2021		Karin Davie: It's a Wavy Wavy World, Chart Gallery, New York, NY Karin Davie: New Paintings & Drawings, Wetterling Gallery, Stockholm, Sweden
2018		Liquid Life Drawings, Inman Gallery, Houston, TX
2012/13		Shadows, Liquids & Life: New Works on Paper, Diaz Contemporary, Toronto, Canada
2012		Karin Davie: Liquid Life - New works on paper, James Harris Gallery, Seattle, WA
2011		Karin Davie: Shadow Days - New works on paper, Wetterling Gallery, Stockholm, Sweden
2008		Karin Davie: Symptomania, Aldrich Museum of Contemporary Art, Ridgefield, Connecticut
2007		LED Drawings & New Sculpture, Mary Boone Gallery, New York, NY Karin Davie Underworlds, Agnes Etherington Art Center, Kingston Ontario, Canada
2006		Karin Davie: Dangerous Curves, Albright-Knox Art Gallery, Buffalo, NY Karin Davie: The Body’s Mind, Wetterling Gallery, Stockholm Sweden
2005		Mary Boone Gallery, New York, NY
2004		Galleria Il Capricorno, Venice, Italy
2003		Mario Diacono at Ars Libri, Boston, MA SITE Santa Fe, Santa Fe, NM
2002		Mary Boone Gallery, New York, NY Until Now, Mary Boone Gallery, New York, NY
2001		White Cube, London, England
1999		Marianne Boesky Gallery, New York, NY Mary Boone Gallery, New York, NY
1997		Turner & Runyon Gallery, Dallas, TX
1996		Mario Diacono Gallery, Boston, MA
1994		Fawbush Gallery, New York, NY
1993		Kim Light Gallery, Los Angeles, CA
1992		Feature, Inc., New York, NY Jason Rubell Gallery, Miami Beach, FL

Group Exhibitions

2024		All Tomorrow's Parties, M. David & Co, Brooklyn, NY. Faraway, So Close, New Risen Gallery, Falls Village CT.
2023		Painting is Easy, New Risen Gallery, Falls Village CT.
2022		More Light, Chart Gallery NYC. Curated by Clara Ha. The Ulterior Narrative, Tick Tack Gallery, Antwerp, Belgium. Curated by Michael St. John.
2021		The Last Truth of the New, DeBoer Gallery, Los Angeles CA Judith Linhares: Artist as Curator, Sarasota Art Museum, Sarasota FL I Was Looking at the Black and White World (It Seemed So Exciting), Ashes/Ashes Gallery, New York, NY. Curated by Michael St. John.
2020		Photosynthesis, Wetterling Gallery, Stockholm, Sweden
2018		40th Anniversary Exhibition, Wetterling Gallery, Stockholm, Sweden
2016/17		No Man's Land: Women Artists from the Rubell Family Collection, National Museum of Women in the Arts, Washington, DC Her Crowd: New Art by Women from Our Neighbors' Private Collections, Bruce Museum of Arts & Science, Greenwich, CT
2016		The Silo, Garth Greenan Gallery, New York, NY
2015/16		No Man's Land: Women Artists from the Rubell Family Collection, Rubell Family Collection, Miami, FL
2014		Capture the Rapture, CB1 Gallery, Los Angeles CA. Curated by Rory Devine. Contemporary Art from the Permanent Collection, Smithsonian American Art Museum, Washington, DC I was a double, Tang Teaching Museum and Art Gallery, Skidmore College, Saratoga Springs, NY. Created collaboratively by Tang Museum Dayton Director Ian Berry and New York-based composer David Lang.
2012		Buzz, Nara Roesler Gallery, curated by Vik Muniz, Sao Paulo, Brazil New Abstraction from the Pacific Northwest, curated by Elizabeth Leach, US Bank's new Ascent program, Seattle WA Ancestral Modern: Australian Aboriginal Art from the Kaplan & Levi Collection. Art From the Permanent Collection, Seattle Art Museum, Seattle WA . Watch This Space: Contemporary Art from the AGO Collection, The Art Gallery of Ontario, Canada The Indiscipline of Painting, Mead Gallery, University of Warwick, UK
2011		The Indiscipline of Painting, Tate St. Ives International and Contemporary Art, Cornwall, UK Art First: From the Collection of The Museum Art Center Buenos Aires. Sculptor Pablo Atchugarry's Foundation in Punta del Este, Uruguay
2010		Love in Vein: Editions Fawbush Projects & Artists 2005 – 2010, Gering & Lopez Gallery, New York, NY Between Picture and Viewer: The Image in Contemporary Painting, Visual Arts Gallery, School Of Visual Arts, New York, NY. Curated by Tom Huhn and Isabel Taube Gallery Artists, Wetterling Gallery, Stockholm, Sweden
2008		From the Permanent Collection, Art Gallery of Ontario, Ontario, Canada Group Show, Parisian Laundry, Montreal 2041, From the Erich Marx Collection, Artnews Projects, Berlin, Germany Paragons: New Abstraction from the Albright –Knox Art Gallery, Dorothy McCarthy Gallery, University of Toronto Scarborough, Ontario The 30th Anniversary, PART II, Wetterling Gallery, Stockholm REMIX: Recent Acquisitions Works on Paper - Albright-Knox Art Gallery, Buffalo, NY
2007		Kim Light Gallery - Early 90’s, Kim light - Light Box, Culver City, Los Angeles, CA The Oppenheimer Collection, The Nerman Museum of Contemporary Art, Kansas City The Maramotti Collection, The Maramotti Museum, Reggio Emilia, Italy. Curated by Mario Diacono Lines, Texas Gallery, Houston, TX, curated by Susie Rosmarin “e Ricomincio da Tre”, Studio La Cita, Verona, IT. Curated by Luca Massimo Barbero& Maria Rosa Sossai
2006		‘Abstraction’ Diaz Contemporary, Toronto, Ontario Canada New Trajectories 1: Relocations: Recent Painting, Drawing, Multi-Media work from the Ovitz Family Collection, Los Angeles, Cooley Gallery, Reed College, Portland OR
2005		Extreme Abstraction, Albright-Knox Art Gallery, Buffalo, NY Big Band, Galerie Les Filles du Calvaire, Brussels, Belgium and Galerie Les Filles du Calvaire, Paris, France View Eight: A Few Domestic Objects Interrogate a Few Works of Art, Mary Boone Gallery, New York, NY
2004		Recent Acquisitions, Albright-Knox Art Gallery, Buffalo, NY Art on Paper 2004, Weatherspoon Art Museum, Greensboro, NC View Eight: A Few Domestic Objects Interrogate a Few Works of Art, Mary Boone Gallery, New York, NY
2003		OnLine, Feigen Contemporary, New York, NY
2002		Art Downtown: New York Painting and Sculpture, 48 Wall Street, New York, NY
2001		Against the Wall: Painting Against the Grid, Surface, Frame, Institute of Contemporary Art, Philadelphia, PA
2000		7 Young American Artists, Wetterling Gallery, Stockholm, Sweden Post-Pop, Susquehanna Art Museum, Harrisburg, PA New Work: Abstraction, Hosfelt Gallery, San Francisco, CA Hypermental, Kunsthaus Zurich, Zurich, Switzerland and Hamburger Kunsthalle, Hamburg, Germany (2001) Emotional Rescue: The Contemporary Art Project Collection, Center on Contemporary Art, Seattle, WA Untitled group show, Marianne Boesky Gallery, New York, NY
1999		Post-Hypnotic, The Contemporary Arts Center, Cincinnati, OH; University Galleries, Illinois State University, Normal, IL; Chicago Cultural Center, Chicago, IL (2000); Atlanta College of Art Gallery, Atlanta, GA (2000) Ultra Buzz: Karin Davie, Peter Hopkins, Tom Moody, James Siena, Fred Tomaselli, Gallery of Art, Johnson County Community College, Overland Park, KN At Century’s End: The John P. Morrissey Collection of Nineties’ Art, Museum of Contemporary Art, Lake Worth, FL American Academy Invitational Exhibition of Painting & Sculpture, The American Academy of Arts and Letters, New York, NY Girls’ School, Brenau University, Gainesville, GA
1998		Sassy Nuggets, Andrew Kreps Gallery, New York, NY Group Show, Teachers Insurance and Annuity Associations, New York, NY Projects 63: Karin Davie, Udomsak Krisanamis, Bruce Pearson, Fred Tomaselli, The Museum of Modern Art, New York, NY
1997		After the Fall: Aspects of Abstract Painting Since 1970, Newhouse Center for Contemporary Art, Snug Harbor Cultural Center, Staten Island, NY New York/North York, Gallery of North York, North York, Canada
1996		Works on Paper, Curt Marcus Gallery, New York, NY Landscape Reclaimed, The Aldrich Museum of Contemporary Art, Ridgefield, CT Painting in an Expanding Field, Usdan Gallery, Bennington College, Bennington, VT Individuals on Paper, Devon Golden Fine Art Gallery, New York, NY
1995		Gallery Artists, Fawbush Gallery, New York, NY
1994		New York on Paper, Jim Schmidt Fine Art, St. Louis, MO Gallery Artists, Fawbush Gallery, New York, NY Abstraction … Tradition of Collecting in Miami, Center for the Fine Arts, Miami, FL Hunk, Jose Freire Fine Art, New York, NY Promising Suspects, The Aldrich Museum of Contemporary Art, Ridgefield, CT Again, N.A.M.E. Gallery, Chicago, IL The Division Between Breath and Air, Patrick Callery Gallery, New York, NY
1993		Jacqueline Humphries, Jessica Stockholder, Karin Davie, John Good Gallery, New York, NY
1992		The Radio Show: Unrealized Projects, Artists Space, New York, NY Off Balance, Jason Rubell Gallery, Palm Beach, FL Collector’s Choice of Emerging Artists, Vered Gallery, East Hampton, NY Summer Invitational, Blum Helman Warehouse, New York, NY Abstraction, Amy Lipton Gallery, New York, NY Ageometry, Michael Klein, Inc., New York, NY Ecstasy Shop, Dooley Le Callellaine, New York, NY Benefit Exhibition, White Columns, New York City, NY Benefit Exhibition, The New Museum of Contemporary Art, New York, NY
1991		In Full Effect, White Columns, New York, NY Ornament, John Post Lee, New York, NY

Selected Bibliography

Adams, Brooks. “The New Wavy.” Interview, March 1999, pp. 146–149, 174.

Adrian-Diaz, Jenna. "Karin Davie Charts the Journey of Making Art and Ascribing Meaning to It." Surface Magazine, May 11, 2023.

Allen, Jan. Karin Davie Underworlds. Kingston, Ontario: Agnes Etherington Art Center Publications, 2009

Amy, Michael. “Karin Davie at Mary Boone.” Art in America, April 2003, p. 143.

Amy, Michael;. “The Artist’s Artists: Karin Davie.” Artforum, December 2004, p. 85.

Amy, Michael. “The Artist’s Way.” O Magazine, November 2001, pp. 224–231.

Amy, Michael. “Arty Type.” Tatler, February 2001, p. 66.

Bentley-Mays, John. “ Karin Davie: From A Different Place” Abstraction After Feminism, Canadian Art Fall 2006 vol 23 Number 3 p.110-114

Baird, Daniel. “Subjective Abstractionists: The Painting of Karin Davie and Louise Belcourt.” Border Crossings 24 no. 3, August 2005, pp. 38–49.& Cover

Baker, R.C. “Galleries/Pick: Karin Davie.” Village Voice, p. 75, May 25, 2005.

Baron, Joan Boykoff and Baron, Ruben M. “Extreme Abstraction,” The Albright-Knox Gallery, exhibition review, ArtCritical, October 1, 2005.

Beal, Suzanne. “Critic's Picks: Seattle.” Art Ltd. March 2012.

Berry, Ian, and Lang, David: "I was a double," Tang Teaching Museum and Art Gallery Skidmore College, Saratoga Springs, NY. Published by The Frances Young Tang Teaching Museum and Art Gallery, 2020. pp. 93–95.

Blinderman, Barry. Post-Hypnotic. Normal, IL: Illinois State University, 1999. Exhibition Catalogue.

Braff, Phyllis. “Seven Artists with Bright Futures.” New York Times, September 13, 1992. Exhibition Catalogue.

Brak, Yvette. “Sassy Nuggets.” Time Out New York, July 23, 1998.

Brennar, Julia. "On Now in NYC - Two-Venue Exhibition by Painter Karin Davie." Forbes Magazine, June 10, 2023.

Buck, Louisa. “Louisa Buck’s Choice of London Contemporary Galleries.” Art Newspaper, p. 63, February 2001.

Butler, Sharon. “Karin Davie's New Sense of Self.” Two Coats of Paint, September 21, 2021.

Chen, Aric. “Smart About Art.” The Ritz-Carlton Magazine, April 2004, pp. 52–56.

Clarkson, David. “Karin Davie at Jason Rubell.” Flash Art March 1993.

Coetzee, Mark. Not Afraid: Rubell Family Collection. London: Phaidon Press, 2004.

Cohen, David. “Gallery-Going: Karin Davie.” New York Sun, p. 20, May 5, 2005.

Collins, Tom. “Art and the Machine.” Albuquerque Journal North/Venue North, p. 6, June 13, 2003.

Corsano, Otino. “Interior Ghosts: An Interview with Karin Davie” ArtUS. Summer issue 23. June 2008, p. 32 -34

Coubetergues, Philippe. “Big Band.” Paris-Art.Com, May 2005.

Craft, Dan. “Another Look at Op Art.” The Pantagraph, January 29, 1999.

Curiger, Bice. Hypermental. Zurich, Switzerland: Kunsthaus Zurich, 2001. Exhibition Catalogue.

Daniel, Mike. “Intoxicating.” Dallas Morning News, June 11, 1999.

Danoff, I. Michael. Crosscurrents at Century’s End: Selections from the Neuberger Berman Art Collection. Seatttle, WA: University of Washington Press, 2004. Exhibition Catalogue.

Dault, Gary Michael. “A feast for the sensuous” The Globe and Mail, August 26, 2006, p. R15.

Davie, Karin. "Rubell Family Collection - Highlights & Artist Writings," Volume 1, p. 202. Published by the Rubell Family Collection / Contemporary Arts Foundation, Miami, FL, 2014.

Davie, Karin. "Living and Sustaining a Creative Life: Essays by 40 working Artists." Edited by Sharon Louden. Published by
Intellectbooks.co.uk, September, 2013; distributed by University of Chicago Press. Pages 101-105.

De Cruz, Gemma. “Profile: Karin Davie.” Art Review, February 2001, p. 47.

Diacono, Mario. Archetypes and Historicity — Painting and Other Radical Forms 1995–2007. Published by Silvana Editoriale, Italy, 2012.
p 63 - 70 illus. 22 - 25.

Eden, Laura. “Karin Davie.” Elle Décor, Novemeber 2007 , no 141 p. 106

Eggen, P. S. “A Shared Passion: The Nerman Museum of Contemporary Art.” KC Luxury Living and Home Design, March 2005, pp. 120–123.

Falkenberg, Merrill. Karin Davie: Symptomania. Exhibition Interview for brochure. The Aldrich Contemporary Art Museum, Ridgfield, CT.

Forde, J. A. Unframed: Artists Respond to AIDS. New York: Powerhouse Books, 2002.

Fugate, Marty. "Sarasota Museum Exhibitions Prove The Power of Experience." Herald-Tribune, Sarasota, FL, Jan. 19, 2022.

Gaasch, Cynnie. “Juicy Cool.” Artvoice, Buffalo, NY, July 21–27, 2005, p. 19.

Gaasch, Cynnie. “Invitation to Dance” Artvoice, Buffalo, NY, March 9, 2006, p. 21.

Gardner, James. “Art Attack: Karin Davie.” New York Post, p. 27, May 28, 2005.

Gillick, Liam. White Cube: 44 Duke Street, St. James’s London. London:Steidl, 2002. Exhibition Catalogue.

Golden, Deven. “Notes on ... Karin Davie.” Artcritical.Com, September 2003.

Gomez, Edward M. “Where Pluralism Rules.” Art & Antiques, December 1999, pp. 64–71.

Graves, Jen. "Currently Hanging: The Liquid Life of Karin Davie" The Slog News & Arts. Feb. 29 2012.

Graves, Jen. "Spooning and Dripping - The Bodily Grandeur of Karin Davie." The Stranger Newspaper, Seattle WA, February 28th 2012.

Hoban, Phoebe. “The Mod Squad.” New York Magazine, January 11, 1999, pp. 30–37.

Hughes, Millree. “Interiors.” Culture Catch, October 11, 2021.

Huntington, Richard. “ Let it Flow: Works by Davie go from awkward to harmonious” Gusto, March 31, 2006.

Huntington, Richard. “Focal Point: A critic’s view” The Buffalo News, March 31, 2006.

Johnson, Brandon. “Karin Davie: It's a Wavy Wavy World.” Interview, Zingmagazine, September 22, 2021.

Johnson, Ken. “Karin Davie.” New York Times, sec. E33, November 22, 2002.

Johnson, Ken. “Hanging ‘Curves’” The Buffalo News, February 24, 2006.

Johnson, Ken. “View Eight.” New York Times, sec. E37, January 21, 2005.

Kamholz, Roger. “Karin Davie.” Brooklyn Rail, p. 21, June 2005.

“Karin Davie.” British Vogue, February 2001, p. 37.

“Karin Davie.” The New Yorker, June 3, 2002, p. 18.

“Karin Davie.” The New Yorker, November 25, 2002, pp. 17–18.

“Karin Davie, Roxy Paine/Second Nature, Susan Silton.” Santa Fe Reporter, April 23, 2003.

Kazanjian, Dodie. “Art: In the Loop.” Vogue, November 2002, p. 338.

Keenan, Annabel. “Karin Davie's Long-Awaited Return to New York.” Cultbytes, October 13, 2021.

Kent, Sarah. “Karin Davie.” Time Out London, January 31, 2001, p. 51.

Kino, Carol. “Op ‘til You Drop.” Time Out New York, June 25, 1998, p. 57.

Kutner, Janet. “Like, wow, man, Op Art’s back.” Dallas Morning News, sec. C1, June 27, 1999.

Kutner, Janet. “Paint Rush.” Dallas Morning News, September 5, 1997.

Landi, Ann. “Generation Next,” Art News, Summer 1997, pp. 28–40.

Mac Adam, Alfred. "Karin Davie: To Boldly Go Where No Man's Gone Before." The Brooklyn Rail, June 30, 2023.

Mac Adam, Barbara A. “Karin Davie.” Art News, October 1994, p. 190.

Mason, Brook S. “Retro Fit Retro Modern.” Art & Antiques, September 2005, pp. 62–69.

McQuaid, Cate. “Joyride of a Different Stripe.” Boston Globe, February 8, 1996.

Mills, Michael. “Davids and Goliaths.” New Times (Broward-Palm Beach, FL), July 22, 1999.

Moonan, Wendy. “A Colorful Life.” Architectural Digest, April 2005, 56–60.

Morgan, Robert C. "Karin Davie: To Boldly Go Where No Man's Gone Before Opens at Two Galleries: Chart and Van Doren Waxter." White Hot Magazine, June 27, 2023.

Nicholas, Vanessa. "Karin Davie: The Body Electric". Shadow Days: New Works on Paper, Wetterling Gallery, Sweden. 2010. Exhibition Catalog.

Nichols, Matthew Guy. “Karin Davie at Mary Boone.” Art in America, September 2005, p. 155.

Nickas, Bob. Painting Abstraction: New Elements In Abstract Painting. London: Phaidon Press, 2009.

Odom, Michael. “Karin Davie/Turner & Runyon Gallery.” Artforum, February 1998.

Pagel, David. “Davie’s Abstraction Offers Treat for Mind–Not Eyes.” Los Angeles Times, May 27, 1993.

Perry, Vicky. Abstract Painting: Concepts and Techniques. New York: Watson-Guptill Publications, 2005.

Pollack, Barbara. “OnLine.” Art News, September 2003, p. 135.

Pollack, Barbara. “Stripe Tease.” Art News, May 2005, p. 94, 96.

Posner, Michael. “Art World Snowbirds Nest in New York.” Globe & Mail, November 29, 1997.

Princenthal, Nancy. Landscape Reclaimed. Ridgefield: CT: The Aldrich Museum of Contemporary Art, 1996. Exhibition Catalogue.

“Pushed, Pulled, Depleted & Duplicated.” Zing Magazine, March 2004, pp. 210–225.

Rees, Cristina. “Cool Your Eyes.” Dallas Observer, p. 71, June 24, 1999.

Rosenberg, Barry. Promising Suspects. Ridgefield, CT: The Aldrich Museum of Contemporary Art, 1994. Exhibition Catalogue.

"Rubell Family Collection - Highlights & Artist Writings," Volume 1, p. 202. Published by the Rubell Family Collection / Contemporary Arts Foundation, Miami, FL, 2014.

"No Man's Land: Women Artists from the Rubell Family Collection" p. 66. Published by the Rubell Family Collection / Contemporary Arts Foundation, Miami, FL.

Rubinstein, Raphael. “Nine Lives of Painting.” Art in America, September 1998, pp. 90–99.

Rubinstein, Raphael. “Vitrine: Karin Davie Press Release, 1999.” The Silo, October 1, 2012.

Rubinstein, Raphael. “More.” Essay in exhibition catalog, Karin Davie: "To Boldly Go Where No Man's Gone Before," published May 2023.

Schneider, Claire. Extreme Abstraction. Buffalo, NY: Albright-Knox Art Gallery, 2005. Exhibition Catalogue.

Schwabsky, Barry. “Karin Davie Paints Her Way Past Obstacles.” Interview, Cultured Magazine, September 22, 2021.

Schwabsky, Barry. “Confessions of a Male Gaze.” New Art Examiner, April 1994.

Schwabsky, Barry. Karin Davie: In the Thick of Painting. New York: Rizzoli, 2006.

Schwabsky, Barry. “Karin Davie.” Artforum, September 1999, p. 166.

Schwabsky, Barry. “Karin Davie: Odalisques.” Los Angeles: Kim Light Gallery,1993.

Schwendener, Martha. Karin Davie. New York: Mary Boone Gallery, 2005. Exhibition Catalogue.

Scott, Sue. “Ageometry.” Art News, May 1993, pp. 141–142.

Shea, Patricia. Picasso to Pop: The Richard Weisman Collection. New York: Atelier Press, 2002. Exhibition Catalogue.

Sigolo, Alfredo. “Karin Davie.” Flash Art, December/January 2005, p. 121.

“Site Santa Fe.” Albuquerque Journal North/Venue North, May 9, 2003.

Sjostrom, Jan. “The Collector’s Collection.” Palm Beach Daily News,
February 12, 1995.

Slivka, Rose C. S. “From the Studio.” East Hampton Star,
September 17, 1992.

Smith, Roberta. “Karin Davie.” New York Times, sec. E35, April 23, 1999.

Staff. "Zweimel Gelb, zweimel Blau." Zeit Magazin, Number 15, Berlin, Germany, April 4, 2013.

Sturgis, Daniel. The Indiscipline of Painting. TATE St. Ives International and Contemporary Art, Cornwall UK. 2011. Exhibition catalog.

Sussler, Betsy. “Karin Davie.” Bomb, Summer 1994.

Taylor, Tanis. “Metro Life: Art.” Metro (London), p. 18, January 23, 2001.

Thorson, Alice. “High Art.” Kansas City Star, sec. K1, February 28, 1999.

Tillman, Lynne. Portrait of a Young Painter Levitating. New York: Rizzoli, 2006.

Tommaney, Jim. “Karin Davie at the Rubell Gallery.” Wire Magazine, December 17, 1992.

Tone, Lilian, and Anne Umland. “Projects 63.” New York: The Museum of Modern Art, 1998.

Tone, Lilian, and Anne Umland. “Projects 63: In Your Eye.” MoMA Magazine, May 1998, pp. 10–12.

Tyson, Janet. “You’re Getting Sleepy.” Dallas Essentials, June 11, 1999.

Valdez, Sarah. “Karin Davie.” Paper, June 2002, p. 134.

Van Sielen, Bill. “RISD Shows the Good, the Bad, and the Puzzling.” Providence Journal Bulletin, May 19, 1989.

Vincent, Steven. “Get in Line.” Art & Auction, May 2000.

Waltemath, Joan. “In Conversation: Karin Davie with Joan Waltemath” The Brooklyn Rail, March, 2006, pp. 16-17

Wei, Lilly. After The Fall: Aspects Of Abstract Painting Since 1970/Volume 1. Newhouse Center for Contemporary Art, Snug Harbor Cultural Center, Staten Island, New York, 1997. Exhibition Catalogue.

Wei, Lilly. “Karin Davie at Fawbush.” Art in America, October 1994, pp. 129–130.

Weideman, Paul. “Parallel Perceptions.” New Mexican, pp. 46–49, April 25, 2003.

Wolfberg Weiss, Marion. “Emerging Artists at the Vered.” Dan’s Papers, September 18, 1992.

Yablonsky, Linda. “What Makes a Painting a Painting?” Art News, April 2005, pp. 96–101.

Yood, James. “Post-Hypnotic.” Artforum, April 1999, p. 120.

Young, Tara Reddy. SAM Collects: Contemporary Art Project. Seattle: Seattle Art Museum, 2002. Exhibition Catalogue.

Zeit Magazine "Zweimal Gelb, Zweimal Blau - Karin Davie", Zeit Magazine, April 2013, nr15.

Zeit Magazine "The Color of Love - Karin Davie" Zeit Magazine, no1 Fall-Winter 2013.

Selection of Public Collections

Art Gallery of Ontario
Smithsonian Museum of American Art
Seattle Art Museum
Orlando Art Museum
Tang Museum at Skidmore College
Albright Knox Art Museum
Rubell Family Museum
Norton Museum West Palm Beach
Palm Springs Art Museum
Nerman Museum Of Contemporary Art - Oppenheimer Collection
Museum Art Center Buenos Aires
Paul Allen Collection
Bank of Montreal
Margulies Collection
Marx Collection Germany
Goldman Sachs Collection
Neuberger Berman Art Collection
Marimotti Collection, Italy
Prudential Life Insurance
Kunstverein in Hamburg, Germany
Ovitz Family Collection

[printable cv]